Personal Website References

Personal sites Kevin likes enough to preserve as design references, especially when the site structure expresses a person's taste, library, work, and social graph.

Personal websites are useful references when they show durable structure rather than a single pretty screen: compact navigation, notes, artifacts, relationship graphs, reading lists, and a voice that can survive outside a portfolio template.

References

Site Why it matters
Flo Guo Flo Guo: floguo.com
Thomas Dimson Thomas Dimson concept
Ning Huang Ning Huang: ning-h.com
Josephine Onggowarsito Josephine Onggowarsito: josephines.world
Rare UI OTP Input Source-code reference for compact interactive state: small neutral surfaces, one signal color, explicit focus/error/success feedback, spring motion that is disabled under reduced motion, and density that comes from state rather than surrounding chrome. The reusable unit is the state grammar, not Rare UI's page shell. Source: Rare UI repository aca2c360a4abec940b2629c4a18c45971cfa13c0, reviewed 2026-08-31
Jakub Krehel and Details that make interfaces feel better Personal-site reference for a narrow text-first home and article system where interactive figures sit next to the claim they prove. Durable primitives: roughly 692px main measure, generous but finite vertical rhythm, real interface studies inside prose, and restrained typography instead of a portfolio grid becoming the whole identity. Source: Jakub Krehel live site and article, reviewed 2026-08-31
Anthony Fu posts and Icons in Pure CSS Source-code reference for 65-character prose, quiet grouped indices, small metadata, full-width visual breakouts, and article pages that mix explanation, code, and runnable interface ideas without adding dashboard chrome. Source: antfu.me repository 4f4911ff10516a4c741717b86d4e62c57f1bf40f, reviewed 2026-08-31
Poster House — Swiss Grid Historical reference for treating a grid as a flexible program rather than a monochrome costume: it documents pre-modern precedents, the distinct Zürich and Basel tendencies, and work by Ruder, Hofmann, Gerstner, and Müller-Brockmann that bends the field to fit communication and production needs. Source: Poster House live exhibition, reviewed 2026-09-01
Grid and motion reels (grid, motion) Source studies for construction-before-result and phase-based editorial motion. Their transferable value is the revealed geometry and temporal grammar; the site uses original browser-native figures and ships none of the source video, artwork, or frames. Source: frame-by-frame audits of 448 and 201 frames, reviewed 2026-09-01
Checked-in brand SVG set Company, institution, and social identity marks are static transparent assets with a source-and-hash receipt beside the files. Runtime identity never depends on a logo API, browser key, provider availability, generated monogram, or hydration handoff. Product marks remain the project-authored local icons; General Translation, Dedalus, Sevenfold, AWS, Bloomberg, AT&T, Princeton, X, GitHub, and LinkedIn use the checked-in brand set. Source: user correction, 2026-09-02; Wikimedia Commons; Simple Icons; first-party local sources; reviews/source-signals/personal-website-static-brand-assets-20260902.review.json
lnkiai and Ansyn Yu Two restrained personal sites that treat AI as an optional product layer: a small “Ask AI” entry point and an evolving public experiment. The useful pattern is to preserve ordinary navigation, authored work, and identity while letting the assistant deepen exploration. Source: local site-image and linked-source review, 2026-09-11

Use Pattern

When Kevin flags a personal site, store both the person and the site pattern. If the site contains lists of people, tools, articles, or artifacts, preserve those as first-class wiki pages or artifact cards instead of leaving them as one outbound link.

For Kevin's own site, combine references at the primitive level: keep navigation dormant until engaged, hold prose to a readable measure, let real media carry most large color fields, use one non-neutral state color, and reserve component-like containers for things the reader can manipulate. A specialized route may use one joined utility dock when its lead action is named and every icon opens a real state, changes the actual surface, or reaches a stable endpoint; ornamental toolbar buttons are not admitted. Editorial end frames may let one first-party image, one oversized Kevin-owned word, and tiny provenance/contact text replace a conventional multi-column footer. Preserve Kevin's existing hero and project identity rather than reproducing any reference site's expression.

Interface-detail contract

The September 1 exhaustive pass of Jakub Krehel's interface-details article is captured at SHA-256 7d0c9fa72348ea88e4e47f979ef7607f7b5362e91889a5a6677cdfb9d23067a9. The transferable contract is small and testable:

  • balance short headings and use pretty wrapping for prose;
  • use tabular figures anywhere numbers change or align comparatively;
  • keep nested radii concentric and use subtle shadow rings for elevated surfaces, while preserving semantic dividers, focus rings, selections, and flat structural seams;
  • outline noisy media one pixel inward so the edge is stable without changing intrinsic geometry;
  • keep both state icons mounted and swap them with short opacity, scale, and blur motion for pointer input, while keyboard and reduced-motion state changes remain immediate;
  • use transitions for interruptible interface state, keyframes only for staged sequences, and never apply a default page-load entrance system;
  • reserve a short stagger for an explicit pointer-driven collection change, soften exits before unmount, keep optical icon alignment deliberate, and expose 40px precise-pointer or 44px touch targets.

The Personal Website applies these rules through shared primitives rather than copying the article's visuals. The name-conveyor hero, PortfolioMon, and component demonstrations retain their authored keyframed timelines because their staged sequence is the product behavior, not generic UI state. Hover treatments remain fine-pointer-only, and every equivalent keyboard action is usable without waiting for decorative motion. Source: Jakub Krehel, exact capture reviewed 2026-09-01; reviews/source-signals/personal-website-interface-details-20260901.review.json

Source-led article pattern

When an article explains a visual or interaction system, put the proof inside the reading flow: a working original component, the exact local source excerpt that powers it, and a copy control. The figure and its explanation must share the same variables or timeline so the overlay cannot drift away from the result.

  • Grid writing should reveal the construction before the composition, distinguish radial, axial, column, modular, and hierarchical relationship models, and present Swiss design as a historically situated method rather than a neutrality myth.
  • Anti-default critique should diagnose unexamined accumulation, not turn common typefaces, icons, gradients, cards, or motion into a universal ban list. Product-specific structure, evidence, trust, and stable interaction vocabulary are the correction.
  • Dense motion should use one inspectable playhead with semantic phases, direct scrubbing, interruptible controls, and a complete reduced-motion state. Native document scroll remains the editorial default; smoothing is a scoped systems choice.
  • Source footage and third-party artwork remain audit-only. Reproductions transfer relationship grammar into original HTML, CSS, React, and GSAP rather than copying a reference's assets or expression.

Timeline